Beauty



More than a decade ago, a friend (John Brooks, for those who will recognize the name) invited me to join him as he visited a friend, an artist, at the artist's studio/apartment.
As we were leaving I noticed a large and remarkable painting on the wall. I didn't own any fine art at the time and surprised myself by asking, with some fervour, if the artist might sell the painting. The answer was no. A couple of weeks later I ran into the artist at a party and revisited the painting and its availability and he said he'd sell it and named a price. I went to the bank about a loan (although the painting wasn't THAT expensive, I was relatively poor and short of any real credit limits) but in the end, for reasons I still don't understand (but surely it was about going into debt), I then informed the artist I wouldn't be buying the work.
In all the time that has passed since then I have thought of that painting with great frequency; regretted not buying it.
Recently the artist (Gerard Gauci) has been featured in an exhibit in the city as a result of his holding the day job of set designer for Opera Atelier. As a result of that exhibit I discoverd what Gallery represents Mr. Gauci, called the gallery, recounted my story with the painting so many years ago, wondered if the painting was still available and if so, at what price?
The gallery owner said he was aware of the painting, but doubted very much it was for sale. However, to the gallery's surpise, the artist agreed to part with the work. Hooray! EXCEPT, the new, current price is SIX times the price I had been quoted way back in the early '90s. Minus a sugar daddy appearing soon, I don't have that kind of cash.
The painting that got away. Last I saw it the work was hanging in the gallery where it was perched so I could take some pictures. I guess it'll be going back to where it was hanging before I called to disturb it.
Titled "St. Michael," the painting is oil on board (plus, note the spectacular gold leaf on the background); the frame is made and painted by the artist. 39x42 inches (if I remember correctly).
Enjoy, and know this work is much much more spectacular in its textures and colours, in person. Part of my awe with the work is that it has such a hold on me yet is utterly free of irony or darkness. It is just beauty, both in craftsmanship and artistic expression.




